84 pages : illustrations (some color), maps ; 28 cm

Includes bibliographical references (pages 358-374) and index. 383 pages : illustrations (partly color) ; 25 cm.

Nell Painter provides an accessible overview of African-American history, outlining the most significant events from pre-slavery times to the present, all connected through a central motif of art. He presents the main themes and figures that have shaped African-American history. Includes index. 480 pages : illustrations, maps ; 24 cm

Even before the First World War, Paris attracted artists from throughout Europe: Russian, Polish, Hungarian, Czech, or German artists, who came to study at the Academies of painting or of music. Several waves of migration brought Jewish artists who were fleeing persecution, and these artists formed networks of friendship with French artists in Paris: channels that operated during the Occupation and ...

652 p. : illustrations

On the symbols of National Socialism's corporate identity. 2. überarb. und erw. Aufl. 160 pages : illustrations (chiefly color) ; 25 cm

Tekst in het Nederlands en Engels. cd-rom.

Met index. XV, 511 p. : ill., tab., krt. ; 24 cm.

Collection of articles published in "Neue Zürcher Zeitung" in 1997. 152 pages ; 22 cm

Democracy in action : the Hollywood anti-Nazi films of the 1940s. - Resistance to the resistance : denazification and democratization in 1950s West German cinema. - Melancholy antifascism : the East German antifascist films of the 1960s and 1970s. - Between art and exploitation : fascism and the politics of sexuality in 1970s Italian cinema. - Postpolitical affects and intertextual effects : on Moloch ...

Tevens catalogus van een tentoonstelling in het Musée d'art moderne de la Ville de Paris, 30 oktober 1986 - 11 januari 1987. 190 p. : ill. ; 28 cm.

05:54:50 Day of German Art. HAS of Munich. Cables. Banners everywhere. Boys' chorus recital in Feldherrnhall. Steady camera shots thru city, past various statues. Flowers decorate town, festival atmosphere. Hitler and entourage arrive at art exhibit. Road is lined with SS soldiers in long coats. Hitler opens art exhibition, speaking to a well-dressed crowd: "Rarely in German history is one so richly ...

431 p. : illustrations

Connie Schneider donated this recording to the United States Holocaust Memorial Museum on 26 August 2009. The lecture was recorded on February 8, 2004 in Santa Ynez, CA, and was sponsored by Bethania Lutheran Church, Elverhoj Museum of History and Art, and the Santa Ynez Valley Jewish community.

Rapport sur les méchanismes du pillage d'oevres d'art par le régime Nazi pendant la deuxième guerre mondiale en France, les opérations de récupération. de restitution et d'indemnisation. Identification des personnes et des bien touchés. 2000 oevres sont encore détenues par les musées français. Aan de kop van de titelp.: République Française. 133 p. : ill. ; 24 cm.

At the end of World War II, the US Office of Military Government for Germany and Bavaria, through its Monuments, Fine Arts, and Archives division, was responsible for the repatriation of most of the tens of thousands of artworks looted by the Nazis in the countries they had occupied. With the help of the US Army's Monuments Men - the name given to a hand-picked group of art historians and museum professionals ...

"Race relations" are a controversial topic in today's Germany. Have Germans learned from the past? How far back must one go to understand the tensions, prejudices, and strategies that have marked race relations in the recently unified nation? The Imperialist Imagination explores the German preoccupation with racial and ethnic differences throughout the past two centuries, in a colonial and "postcolonial" ...

Subject: Bundel artikelen over de diverse kunstuitingen in en van de nationaal-socialistische periode in Duitsland (1933-1945). Aandacht voor onder andere de inpassing van avantgarde in het nationaal-socialisme, architectuur, muziek, beeldende kunst, het aanleggen van kunstverzamelingen tijdens de tweede wereldoorlog en de Griekse kunst als inspiratiebron. 275 p. : ill. ; 23 cm.

Meneer is in Amsterdam geboren en heeft het begin van de oorlog in Scheveningen meegemaakt. In juni 1941 is hij met zijn vader, moeder, grotere broer en jongere zus naar de Gorzen in Schiedam verhuisd. Zijn vader zette daar een bakkerij op. Hij is drie keer uitgezonden naar een boerderij in Opeinde bij Drachten, de eerste twee keer tijdens de zomervakanties van 1942 en 1943. Tijdens de hongerwinter ...

"GERMANY" "Lunch at Ettal" Beer hall in Ettal. Locals. The American family sits outdoors at cafe. "Munich" "American Express Co. Bavarians" Shops. People in Bavarian dress gathered outside the American Express store. "The Hofgarten" Outdoor cafe, waiter prepares meal. 01:02:32 "The Exhibition of Degenerated Art" INTs, Degenerate Art exhibit at the Archeological Institute in Munich in 1937 [ENTARTETE ...

Copyright Gesellschaft für Frankfurter Geschichte e.V. 253 pages : illustrations (partly color) ; 27 cm.

"Asking what does foreign occupation look like and how does occupation shape visual expression and cultures, this edited collection explores how the occupied and occupiers have responded to their circumstances through visual culture. With specific cases of foreign occupation from around the world and across the 20th century, the chapters discuss the similarities, links and points of contact which bring ...

"This volume traces the distinct cultural languages in which individual and collective forms of trauma are expressed in diverse variations, including oral or written narratives, literature, comic strips, photography, theatre, and cinematic images. The central argument is that traumatic memories are frequently beyond the sphere of medical, legal, or state intervention. To address these different, often ...