Città aperta o cultura chiusa? : the homosexualization of fascism in the perverted cultural memory of the Italian left
The essay analyzes the equation of Fascism and homosexuality offered by two founding works of the Italian left-wing Neorealist movement: Roberto Rossellini's film Roma, città aperta (1945) and Vasco Pratolini's novel Cronache di poveri amanti (1947). By identifying Fascism and homosexuality, both works limited their commemoration of the victims of Fascism to heterosexuals and contributed to the erasure ...