Lee Bland donated the oral testimony of Felicia Sachs to the United States Holocaust Memorial Museum Collection May 16, 2014. The testimony was recorded in June 1986.

"In Disturbing Remains, ten extraordinary scholars focus on the remembrance and representation of traumatic historical events in the twentieth century. The volume opens with essays by David William Cohen, Veena Das, and Philip Gourevitch. Their reflections on the narratives framing Robert Ouko's death in Kenya, Sikh-Hindu violence in India around the time of Indira Gandhi's assassination, and the 1994 ...

Includes index. [9], 226 pages : maps ; 26 cm

When Hitler's armies occupied Italy in 1943, they also seized control of mankind's greatest cultural treasures. As they had done throughout Europe, the Nazis could now plunder the masterpieces of the Renaissance, the treasures of the Vatican, and the antiquities of the Roman Empire. In May 1944 two unlikely American heroes--artist Deane Keller and scholar Fred Hartt--embarked from Naples on the treasure ...

"Holocaust Representations in History is an introduction to critical questions and debates surrounding the depiction, chronicling and memorialization of the Holocaust through the historical analysis of some of the most provocative and significant works of Holocaust representation. In a series of chronologically presented case studies, the book introduces the major themes and issues of Holocaust representation ...

Lit. opg. 2 dl. : ill. ; 30 cm.

Includes bibliographical references and index. vii, 388 pages : illustrations ; 25 cm.

1st ed. 151 pages : illustrations (some color) ; 24 x 32 cm

331 p. : illustrations

v. ; 23 cm.

At a time when unprecedented change in international affairs is forcing governments, citizens, and armed forces everywhere to re-assess the question of whether military solutions to political problems are possible any longer, Martin van Creveld has written an audacious searching examination of the nature of war and of its radical transformation in our own time. -- Published description. Includes bibliographical ...

Adolf Uzarski was born on April 14, 1885, in Ruhrort, Germany. He attended the School of Architecture in Cologne. He moved to Dusseldorf in 1906 and trained as a commercial artist at the Dusseldorf Kunstgewerbeschule [School of Art and Crafts.] From 1913-1914, he studied in Paris, France. In 1916, Uzarski, along with Arthur Kaufman, had his work exhibited at the Dusseldorf Kunsthalle. He became head ...

Universum-Film AG - best known by its signature logo, Ufa - was once the largest, most exciting movie company in Europe. Founded by the German High Command as a propaganda outfit during World War I, and always central to Germany's nationalistic big-business interests, Ufa was also home to the most innovative talents of the Weimar Republic: Ernst Lubitsch, Marlene Dietrich, Fritz Lang, and Emil Jannings ...

From 1937 to 1944 the National Socialist regime organised a series of art exhibitions, Grosse Deutsche Kuntstausstellung, in Munich. This book traces the history of the exhibitions, characterises the artists and artworks shown and investigates how the local Munich tradition of displaying art was reinvented for national purposes. Includes bibliographical references and index. 338 pages : illustrations ...

"Richly illustrated with images from Art Spiegelman's work, Maus Now gathers together many of contemporary culture's leading critics, authors, and academics on the radical achievement and innovation of Maus more than forty years since its first publication. Pulitzer Prize-winning author Art Spiegelman is one of our most influential contemporary artists, and it is hard to overstate his effect on postwar ...

1. Aufl. 320 pages : illustrations ; 23 cm.

Hitler's aim of the Aryan super-state was to be expressed as much in art as in politics. Culture was not only the end, to which power should aspire, but the means of achieving it. Arts were at the centre of Hitler's life and he was at the centre of the arts. He dissolved the line between art and politics and, through spectacles, parades, festivals, political theatrics and architecture, turned the entire ...

1. Aufl. 288 pages : illustrations ; 22 cm

" ... ein Projekt der Forschungsstelle Osteuropa an der Universität Bremen"--Preliminary page 263 pages : illustrations, maps ; 25 cm

Mark Godfrey looks closely at a series of American art and architectural projects that respond to the memory of the Holocaust. He investigates how abstract artists and architects have negotiated Holocaust memory without representing the Holocaust figuratively or symbolically. Includes bibliographical references (pages 279-289) and index. ix, 294 pages : color illustrations ; 27 cm

Includes bibliographical references (pages 207-214). 215 pages ; 23 cm

[8] pages, 14 leaves of plates : illustrations (some color) ; 41 cm

Includes bibliographical references. 355 pages ; 21 cm.

The Joseph Ansell collection consists of research material, correspondence, articles, artistic prints, and slides collected by Joseph Ansell while researching Arthur Szyk: Artist, Jew, Pole which was published by the Littman Library of Jewish Civilization in 2004. The collection includes photocopies of original documents and secondary source material collected from libraries and research collections ...